Collection: La Primavera

“𝐶ℎ𝑙𝑜𝑟𝑖𝑠 𝑒𝑟𝑎𝑚, 𝑞𝑢𝑎𝑒 𝐹𝑙𝑜𝑟𝑎 𝑣𝑜𝑐𝑜𝑟.”

“𝐼 𝑤𝑎𝑠 𝐶ℎ𝑙𝑜𝑟𝑖𝑠, 𝑛𝑜𝑤 𝑐𝑎𝑙𝑙𝑒𝑑 𝐹𝑙𝑜𝑟𝑎.”

— 𝐎𝐯𝐢𝐝, 𝑭𝒂𝒔𝒕𝒊 (Book V)

An endless spring begins with a single touch between Zephyrus and Chloris. From that moment, Flora steps forward — as if a ritual has quietly reached its end. Flowers appear with her, across the skin, in movement, along each step. At the center, Venus remains still, holding everything in balance.

In the spirit of Fasti, spring does not come by chance. It returns within an unseen order: when the wind passes, the garden opens, and the body begins to change. Nothing overt, nothing forced — only a slight shift, enough for the former self to fade and something new to emerge. That moment is held by Sandro Botticelli in 𝐋𝐚 𝐏𝐫𝐢𝐦𝐚𝐯𝐞𝐫𝐚.

The rhythm and spirit of 𝐋𝐚 𝐏𝐫𝐢𝐦𝐚𝐯𝐞𝐫𝐚 move through each design — not as image, but as motion and sensation on the body. Let the body answer, beneath layers that do not conceal, with 𝐋𝐚 𝐕𝐢𝐞𝐫𝐠𝐞.